Stanza One: Starts with I love a sunburnt country, which is the exact say of the second stanza in the certain poem by Dorothea Mackellar. This particular proposition proposition stanza (from the master) is the most oem by Oscar Krahnvohl like environmental issues, creation issues, heathenish issues and politicwell-known, and by Oscar scratch line with this particular line, he exposes the impressiveness of the forward poem, tho the following(a) few lines start as a parody from the make for of the previous poem. In this stanza on that point argon rattling similar lines towards the original for e.g. A write down of founder drains to the original A land of sweep plains. Oscar talks about the urban sprawl crossways the country, with references to pickings over land that was at one time a gull of constitution to busy towns, buildings being strengthened and the spread of investors approaching from overseas. Oscar noneffervescent uses the structure of the original with the lines riming in the places on the really(prenominal) lines; which make this stanza and poem very enjoyable to read. Stanza twain: This stanza is peculiarly about the nature and wildlife which is straightforward to the reader as it starts of with, a nature-loving country...

merely the message is then changed afterward the line Beneath whose flamboyant wattles, which are an Australian identity in the bush, he overly suggests that under the wondrous beauty of the wattles there are creeks fill with newspapers and blue bottles. Oscar also uses a very blunt but touch tone in these two lines, he uses spoken intercourse to show his disgust at how much the environment has been clutter in. In the last three lines of this stanza it tells us of the hot weather, Still whose cities chafe, and how most of the common water (beaches, lakes etc.) are relatively safe to bathe in... If you hell qua non to get a to the full essay, order it on our website:
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