The work took place on the 24-year period from begin to finish. In 1536, "he was at jobs on the Last Judgment, the Day of Wrath, which occupies the whole on the wall behind the altar" (Popham 4).
The Sistine Chapel were painted earlier with illustrations from the life of Christ and Moses by Perugino, Boticelli, and Ghirlandaio. Pope Julius II forced Michelangelo to jobs over a ceiling although at the time he was engaged in sculpting for the pope's tomb ("Sistine Chapel Ceiling," 3).
The purpose of the frescoes was to offer an organic composition "motivated by a single unifying philosophical in addition to artistic design. The iconography is really a fusion of traditional Hebrew-Christian theology and neo-Platonic philosophy that Michelangelo knew from his days in the Medici household" ("Michelangelo's Sistine Ceiling Frescoes," 1). The entire area was divided into geometric types just like triangles, circles, and squares along with divisions related for the three Platonic stages - the globe of matter, the globe of becoming, and also the world of being ("Michelangelo's Sistine Ceiling Frescoes," 1).
The overarching functionality was to tell the entire story of man's life and his history while reflecting upon the turmoil where Rome and all of Italy was involved ("Michelangelo's Sistine Chapel...," 3-5).
Popham, Peter. "The Sistine Chapel Was Produced 500 Years
Accessed online, April 12, 2008.
In the several frescoes, "the conception of God has progressed from paternal human figure with the 'Creation of Eve' to a cosmic spirit in the intervening panels, and now to a swirling abstraction inside realm of pure being" ("Michelangelo's Sistine Ceiling Frescoes," 2). The frescoes as described by Labella (234) are splendid and "elevated the aesthetic values from the Sistine.... Michelangelo spent hours alone inside the chapel.... The challenge was tempting but his natural reluctance was strong." Ultimately, he chose to use as his central theme, "the wonder with the divine creation... the coming into getting with the earth, God's gift on the very first man and his companion, a conflict of divine love and human betrayal heading inside bliss from the Garden of Eden to the shame in the expulsion" (Labella, 235).
2008. Obtainable at http://home.aubg.bg/faculty/ipenchev
Anonymous. "Michelangelo's Sistine Ceiling Frescoes."
Chapel_Ceiling. Accessed online, April 13, 2008.
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