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Thursday, March 14, 2013

Disruption and Identity in Frankenstein-Blade Runner

Blade smuggler-Frankenstein Essay

A deeper understanding of rumpus and identity emerges from considering the parallels mingled with Frankenstein and Blade ball carrier

Mary Shelleys Frankenstein and Ridley Scotts Blade Runner reflect their respective con text intensitys, offering an insight into clipless themes such as identity and disruption. Disruption is reflected in the texts through demonstrating the legal injury of unrestrained progress, both texts reveal this in the course of a cautionary tale. Identity is explored in both pieces through the relationships of the precedent and the created. This essay will exemplify how despite each text being a product of their unique context, there is force out link and relevance between the texts reflected in the universal concepts of disruption and identity.

Mary Shelleys Frankenstein was composed in a time of scientific/industrial developments including Galvanis concept of bringing slain organisms back to invigoration through the use of electricity. Shelleys romantic beliefs reflected these developments through the creation of a gothic world in which scientific development has become unrestrained and grave. Shelley throughout the book warns of the dangers of disrupting nature, this is demonstrated through Viktors words how dangerous is the achievement of knowledge.

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Shelleys choice of diction using the word dangerous creates a sense of foreshadowing of the consequences to come from Viktors actions. Shelley thence suggests that nature is not supposed to be disturbed as she directly questions the scientists of her era, including scientist Erasmus Darwin, to reinforce the dangers of our humanitys desire to see the role of creator. Shelley also displays this through
Questioning how Viktor can sport with life. Shelleys use of the word sport implies that Viktor consumed by a hobby/desire is unaware of where his actions will lead, this is also unambiguous through Viktors thirst for knowledge.

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