However, Thompson finds that this image of the era is only a romantic notion developed in the sixteenth degree centigrade. Thompson states that "among the limited range of documents which survives from the late tenth century and early eleventh, not one makes a reference to far-flung fear of the piece ending in the year 1000" (Thompson 37). Indeed, many make it clear the people fore dictum a stake Christian millennium in their future. Only the Abbo of Fleury links the befriend Coming with the year 1000, and he does so to dispel the notion.
elieve most people would not corroborate feared the coming of 1000 is because most people at that clip did not know what year it was (Thompson 38). However, Thompson does see that year as having a major role in shaping the world as we know it today (Thompson 40).
Again, this shows the arbitrary nature of the divisions of time involved and raises questions about what any cosmic sign could mean value when in that location is doubt as to what year is being targeted.
Thompson cites different reports on the issue from the time, showing only that some saw momentous events as occurring while others did not. In any case, there was no Second Coming, and time continued.
Thompson, Damian. The End of Time. Hanover: University Press of parvenu England, 1996.
Glaber also describes a series of events which Thompson says is very familiar, including disasters, mysterious portents, and indeed a sense of either things made saucily: "Its configuration is not unlike that of the ultimata apocalyptic drama, in which the world waterfall into chaos before the Second Coming. It also mirrors the sequence of events which all millenarians believe will be played out in the near future--except, of course, that they look forward to a completely new heaven and earth" (Thompson 46). Glaber, however, also suggests that many people believed the fleck millennium would be in many ways a replay of the first. Much of what Glaber writes is interpreted by Thompson as go evidence "of millenarian sentiment occurring at and pro
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